On my wall above my desk I have very few, but very inspirational things: a picture of my sister Lillbubb, a pink post-it with how to say “I kiss you” in Hungarian, and today came this new addition: a hamster! I get so inspired when I look at the hamster, comrades. So cute!
Last night I stayed up until three am writing and finally finishing a short story that I’ve been thinking about since the summer. The first idea for it came to me during my trip to Krasnovishersk in the northern Urals, where Shalamov spent his first three year sentence in a concentration camp in the 1930’s. But for the longest time I didn’t know how to write the story, even though I had plenty of ideas for it, and pretty much knew what it was going to be about. Then – all of the sudden – last Sunday I woke up and I knew exactly what the form of the story was going to look like, and not only the content of it! I love it when that happens! When it is pure inspiration. But for obvious reasons – my studies, my jobs and my almost-finished application to graduate school – I did not get a chance to finally start writing it until last night. Perhaps it is not very good. Maybe it lacks many things, mainly in the area of correct English grammar. It is very likely that this is yet another example of me dealing with my ‘pretty girl complex’ by channeling it into a work of art. Whatever it is, it should be read while listening to Johnny Cash & Bob Dylan’s “Girl from the North Country” on repeat. One does not have to much knowledge of Varlam Shalamov, his life and work, in order to enjoy this short story. Or so I try to convince myself… But of course, if you know something about Shalamov, then you’ll understand this ‘antinovella’ on another level, and you might even be able to tell why the genre I’ve chosen for it is ‘antinovella’ and not ‘short story’.
*
“Girl from the North Country”
antinovella
It was the day of the first snow. It was the day that fall turned to winter and the snow was wet and heavy. It kept falling against the asphalt and at first it melted immediately. It took several hours before the streets turned white that evening.
The first thing the old poet noticed when he came home was her boots – grey with four inch heels and fur on top – standing dirty with wet soles in the hallway. That’s how he knew that the young teacher was already home. Her door was closed. Since there was no light coming out from underneath the door leading from the communal apartment’s hallway to the kitchen he didn’t think he would find anyone in there. Yet there she was. She was standing by the window in the dark, looking out at the snow that kept coming down while she smoked a cigarette. Usually she didn’t smoke. She smoked rarely, sporadically. Only in periods of time that she referred to as 'difficult'.
He entered the kitchen and made a noise that could be interpreted as a form of greeting. She didn’t turn around to look at him. After switching on the light he instantly walked up to the kitchen sink and started pouring water into a kettle. He needed something warm; he needed something to heat him up from inside. It felt like his entire body had been frozen completely, as if he had spent several hours standing outside in minus fifty. Yet he had only walked the quick twenty minutes that was necessary to get back home from the university. Cold always had this effect on him. Ever since he came back – though that was over forty years ago now – he could not handle cold weather. His hands refused to function when it was cold. He had to hold them against the kettle as it warmed up. He would often let his hands remain on the kettle until it boiled. His fingers didn’t feel the heat until it was too late – until they had been burned.
“Do you want a cup of tea?” he asked her.
She turned her face toward him for a second and this was enough for him to see that she had been crying. She didn’t say anything and turned her eyes back to face the window.
He placed two cups on the kitchen table. He dropped a teabag into each one and then placed the sugar bowl in between them on the table. Once the water had boiled he poured the steaming fluid into both cups and sat down on a chair. She had been standing by the window on the other side of the table, but when she saw that the tea was ready, she also sat down. They were now facing each other. She didn’t try to hide her flushed cheeks, she didn’t even reach for a napkin to clean up the black mascara that had left her eyes smudged.
He pushed her tea cup a bit closer to her.
“Thank you,” she said, and then she looked at him for a moment as if in deep thought, as if unsure of how to begin, as if sure of only thing – that she must say something. “Have you ever thought that beauty can be a curse?” she asked.
“I have always thought that beauty can both be the biggest curse and the biggest blessing, depending on in whose hands it ends up.”
“Depending on in whose face it ends up,” she corrected.
“No,” he said, “that I do not agree with. Because the people who have beauty can never see it; they can only see it in the reaction of others. Besides, you don’t choose beauty. You can’t choose what you’re going to look like. Beauty is always in the eyes of the beholder. And thus it is also in the hands of this person.”
“If I could, then I would have it go away,” she said and looked him straight in the eyes. She looked at him with those eyes of hers that he could not fathom, that he was yet unable to understand. No matter how much he looked at them, no matter how he tried to read them, they remained a mystery to him. They refused to speak.
When he returned from his ‘years of ordeal’, as he preferred to refer to that time of his life, he was always able to recognize other people around him who had been through the same thing. Back then he had thought himself old when he returned; with time he understood that he still had been young when he was given a second – or was it third? – life. He could see it in their eyes. It was always in their eyes. Eyes that were scared of what they once saw. These eyes were filled with pain and with such experience that the mouth can never speak of it; filled of what the pen can not do justice to, eyes that were grateful simply for being alive still and now able to see something else. This gratefulness combined with endless wisdom of depths and darkness was always in their eyes and he always knew them when he saw them. And they recognized him, too. Still – though with the years fewer and fewer survivors continued their survival – he would meet them every now and then and when they did, they would exchange glances of mutual understanding. Understanding of that which can never be spoken of. No matter how many words one tries to use. He had not expected to find these eyes in the face of a young woman born many, many years after that time. Logically he knew that she could not have been there; neither was she one of the many children born in camps or prisons – this he knew. She had been born in another country. It was impossible. And yet it was there. The pain was there yet her eyes refused to tell him of it.
“I would give anything not to have another man look at me like that,” she continued.
And he understood. Tonight was the night her eyes would speak. He didn’t say anything.
“But how could you ever understand? You’re a man. And you’re tall. In your youth you were probably even taller and strong, too. You’ve never been a girl and beautiful and tiny at one and the same time. You don’t know what it feels like. You don’t know what it’s like to be wanted by every man who looks at you, to be even loved by some of them only because of… this.” She sighed and tried to smile. “What is this? This is nothing.”
“It doesn’t define you,” he said.
“Beauty?”
“The way they look at you. It doesn’t define who you are.”
She shrugged her shoulders: “Sometimes I think it does.”
He shook his head. “Never.” And continued: “Maybe I don’t know what it feels like, but I think I can understand.”
She looked up from her tea cup with a questioning look on her face.
“I want to tell you a story of a girl I once knew. A girl that was just like you, not only did she look a lot like you, but your characters have some things in common also. At least that’s what I think. You’ll judge for yourself, of course. You always do,” he said and smiled a kind smile. “If you want to hear it, that is.”
“Very much.”
“This girl was my first wife. I met her a long, long time ago, and – so it seems to me now – in a different world. I met her during my first sentence in the northern Urals. I was very young back then, I was only twenty-four years old and serving the last months of my three year sentence in a concentration camp. She arrived there in early June in the summer of 1933 together with a delegation of foreign students from the Institute of Marxism in Moscow. They were there to do their practice and also to witness the astonishing progress of the young communistic state with their own eyes. I do not remember the names of the other students, but I remember that they were four young men from different countries: France, Germany, the United States and Finland. She was from Sweden, just like you.
“She was a sight for sore eyes, this girl! She arrived in camp on a sunny, warm summer day with clear skies and I will never forget how she looked the first time I saw her: she was wearing a white sleeveless dress with red high heels and had a red bow in her long, blonde hair. She was the prettiest thing I had ever seen. She was so petite and small, she moved as if on air and she was always smiling… As she walked together with the others around the muddy territory there was not a man there who missed out on the chance to lend her a helping hand or an arm for her to lean on. Everyone in the whole small town, every man in the entire camp fell in love with her. Not only were women scarce in these areas in general; pretty women there were scarce in particular. I watched her from a distance as she performed the same duties in camp as the other foreigners did – she helped out in the kitchen and would always serve me my bowl of soup with a smile consisting of straight, white teeth framed by red lipstick. Not until the concentration camp’s director decided that he was the only one of us all that actually had a right to get her, did we actually meet.
“I was standing by the river Vishera late on the evening of my 24th birthday – the 18th of June. I was just looking out on the water and watching the sun set and didn’t really think about much except that I was already 24 years old and had not yet done anything in life. I had not yet done anything to deserve immortality. And back when I was really young I thought the most important thing to deserve in life was this. What can I say? I was young and I wanted to write and I blamed my sentence and the camp for hindering me from doing so… Suddenly I heard some sounds coming from further down the riverbank. It sounded strange and so I decided to go have a look. And it was good that I did, because if I hadn’t then… Everything would have been differently. I would probably not have married her if I hadn’t. Or – which is even truer – she would probably not have married me if I hadn’t.
“I didn’t catch the director in the action, so to speak, but almost. I didn’t even have to think before I had grabbed a hold of him and given him such a blow to the head with my fist that he fell to the ground. He took one look at me from below and decided not to bother, but quickly got up on his knees and first crawled away a couple of meters. Then he ran.
“She remained sitting in the grass and so I sat down beside her. For many minutes we looked at each other in silence. Honestly, I didn’t know what to say. After a long while I asked her if she was alright. She took a deep breath and looked at me and said: “Thank you”. Then she added: “It happens.” “Often?” I asked. “Enough,” she smiled. She stood up and asked me if I wouldn’t mind walking with her for a while, I didn’t mind it at all and so we walked along the river for an hour or two, I don’t know how long, only that we kept walking until it got dark. She talked much during our walk and as I listened to her talk I forgot entirely what she looked like… She tried to make a joke, but I didn’t laugh because I thought it wasn’t meant as a joke, and then she told me that in Sweden all jokes must be like that – that in her culture jokes must sound serious and dry and border on the tragic in order to be considered humorous. Then I laughed and so did she. At the end of our walk, before we parted ways, she said something to me that seemed strange to me at the time, something that it took many years before I understood fully.
“Every tiny and beautiful girl needs a big and strong man in her life,” she said. “And in my life I choose this man to be you.”
“To be protected?” I asked.
“To be safe,” she answered.
The old poet smiled at the memory for a while before finishing his story:
“She went back to Moscow a month later – after she also had turned twenty-four – and I was released from the camp in October the same year. She left me her address in the capital and said that she had one year left to study there. She lived in a little room in a dormitory, and when I came to Moscow in November the first thing I did was to go visit her. And I didn’t go home after that. Not simply because I didn’t really have anywhere else to stay in Moscow, or any real home for that matter, but because I didn’t want to.”
“And you married her?” the girl sipping tea in front of him asked.
He nodded. “Or as we had made a habit of doing back in those days – we got registered as husband and wife in the spring of 1934 and received a small room in a communal apartment in Moscow. She finished the Institute of Marxism in the summer but was allowed to stay in the country after receiving a position there as a teacher at the department of international communism. I worked at different papers as a journalist while I wrote short stories and poetry…”
“What happened to her?” she interrupted him.
“She died.”
“How?”
“Do you know what happened in this country in the year of 1937?” he asked.
She nodded. She didn’t have to say anything more. He understood that she knew.
“When they knocked on our door in the middle of one night in February 1937 I thought that they were coming for me. Since I had already been sentenced once before, since I had already been judged dangerous to society six years previously, it seemed only natural to me that they would come knocking on my door… But she, she was a member of the party, she was writing her doctor’s thesis on international communism, she had never done anything that could be considered suspect. Except for being Swedish and not applying for a new citizenship in time, I guess… When I watched them take her away that night, when I looked at her as she turned around quickly to catch one last glance of me before walking out the door, I didn’t think I would ever see her again. Two months later they knocked on my door again and this time I was the one they wanted to imprison.” He paused. “And I was sentenced to five years in forced labor on Kolyma. But this you already know.”
“Did you ever see her again?”
“One time,” he answered.
“Only one time?”
He nodded and swallowed before speaking: “It was in 1946. By then I had managed to both serve off my first sentence and receive a new one – the new one was ten years. Despite this I had been able to get work as a sanitarian at a hospital in a small village next to a bigger camp way up north, several miles from Magadan. It was my second year working there. The war was over. Things were back to normal again. Well, ‘normal’ in this case means worse but this you also already know… During my first nine years on Kolyma I would often hear stories about her, hear many people talk about her, both men and women. Yes, people loved to talk about her! They always did. She was known by many, many people, even by those who had never seen her with their own eyes. She was known as the beautiful Swedish woman. When I heard people talking of her, saying that they had seen her somewhere or other, I would never say a word. I never told them that she was my wife. Except to one doctor at the hospital where I worked, him I told because I could trust him. He had first laughed when he had found out that ‘the beautiful Swedish woman’ was my wife, and then he had cried for a long, long time…
“It was he who told me that she was in our hospital. He had heard rumors of her arrival there already in the morning, but been able to see her with his own eyes only in the afternoon. It was already evening when he brought me to her bed…
“She was still beautiful. Despite everything. It was as if the survival of her pretty face was payback to them for everything they had done to her, for everything they had taken from her despite all that she had tried to give to this country. She was lying so fragile and skinny and smaller than ever before there in the bed with the heavy, grey blanket pulled up almost all the way to her cheeks. At first she didn’t recognize me. My face had not survived as intact and unchanged as hers. I took her hand and whispered her name in her ear. And then her eyes lit up as if she had seen something frightening, something disgusting, or perhaps something so wonderful that she did not dare to believe in it… Her hand grabbed a firm hold of mine and she didn’t speak for several minutes. She just looked at me; she simply stared up at my face without saying anything. She didn’t even cry. I kissed her on the forehead and remained sitting by her bed the whole night through. We spoke very little. I don’t remember of what, all I remember now is that she kept repeating one and the same phrase over and over again: I’m safe now, I’m safe now, I’m safe now…
“In the morning she died.”
*
The next evening the old poet came home after a long day at the university to find the young teacher smoking in the kitchen once again. This time the light was on and she wasn’t crying. She was sitting at the table reading a thick book. He came in and did what he always did – started pouring water into the kettle and then placing it on the stove. He warmed his hands on it with his back turned against her.
“I’ve been reading your biography,” she said.
He looked over his shoulder and gave her a smile. “Anything interesting?”
“It says here that you married for the first time in 1954, not in 1934,” she said.
He removed his cold hands from the kettle, turned around and looked at her in silence for a while before sitting down on a chair.
“Did she even exist? Or did you make her up for me?”
“I didn’t make her up for you; I remembered her because of you. But she did exist,” he said. “And everything else about her is true.”
“Except she was never your wife?”
“Only did I wish she was. I tried. I asked her many, many times. I went down on my knees before her once a week for three years without any results. She never said no, but she never said yes either.” He smiled, maybe it was a smile more meant for himself than for her, as he concluded: “This is not the type of woman that you can marry. And you know this. You of all people should know this. This type of woman is known as a muse. And no poet – no matter how great he is or how much he might wish to and think he should – can never marry his muse”.
“Am I a muse too?”
The old poet didn’t say. He only smiled as he warmed his hands.